How to Be an Artist : 5 Rules to Transform You from a Novice to a Generational Artist (or at least help you live life a little more creatively)
Don’t Be Embarrassed is the first lesson for an Artist
I understand. Making art may be humiliating, scary, and leave you feeling filthy and exposed, similar to being nude for the first time in front of others. You frequently expose aspects of yourself that others may find repulsive, strange, dull, or foolish. People could assume you’re weird or a hacker. Fine. When I’m at work, I’m sick to my stomach with ideas like “This isn’t going to work.” It is illogical. Art, on the other hand, does not have to make sense. It isn’t even necessary for it to be excellent. So don’t stress about being clever, and let go of your need to be “good.”
Lesson 2: Don’t Be Afraid to Copy
We all start off as copycats, making clones of other people’s work. Fine! That is what you should do. When you concentrate on this, though, you will begin to perceive the possibility of making all of these things your own — even if the ideas, tools, and movements originate from other artists. Consider yourself entering a massive stadium packed with ideas, routes, methods, means, and materials whenever you produce something. And there are possibilities. Make these items your own. This is now your home.
Lesson 3: It’s Not About Understanding When It Comes To Art. Alternatively, mastery.
It’s all about getting out there and doing things.
No one ever inquires about Mozart’s meaning. Or an Indian raga, or Fred Astaire and Ginger Rogers’ tiny tripping dance to “Cheek to Cheek” in Top Hat. Forget about producing things that are easily comprehended. I’m not sure what Abba stands for, but I like it. Sentimentality and a lack of emotion are your enemies; imagination is your religion. All art stems from a desire to create something.
Lesson 4: Use a Pencil to Begin
Don’t be concerned about sketching. Simply create a mark. Assert that you’re just drawing, playing, experimenting, and seeing what looks like what. You already know how to draw if you can write; you already have your own way of drawing letters, numbers, and distinctive doodles. These are other types of drawing. Pay attention to all of the physical input you’re getting from your hand, wrist, arm, ears, sense of smell, and touch as you’re creating marks and sketching. How long can you keep your mark before you feel compelled to raise the pencil and create a new one? Shorten or lengthen the markings. Vary the way you make them in whatever manner you can, wrap your fingers in fabric to change your touch, and see what your other hand can accomplish. All of this is trying to tell you something. Make yourself really quiet within and pay attention to whatever you’re feeling. Don’t make judgments on what is good or terrible. Consider beneficial, pleasant, and unusual.
Lesson 5: Create Practice Forms
Practice sketching your own hands, for example, while waiting or sitting on the metro. There are a lot of hands on the same page, and some of them are on top of each other. If you wish to, you can take other people’s hands. You can also sketch any other visible portions of your body. However, you must first look and then describe what you observe with your pencil or pen. It’s not a lie! Even if you simply want to sketch where your cheek meets your lips, mirrors are excellent. Experiment with various sizes, making objects bigger, smaller, and twisted.