Biography of a famous photographer named Alfred Stieglitz (part2)


Biography of a famous photographer named Alfred Stieglitz (part2)

A famous photographer to whom the world of photography will forever be indebted and created a different perspective on the art of photography.

He can be considered one of the pioneers of photography, which made the early bricks of the large photographic structure stronger.

Alfred Stieglitz

Stieglitz in the first steps

Alfred Stieglitz was born in 1864 in New Jersey to German parents. His father was a wealthy man and a non-professional painter; So Stieglitz grew up in a liberal atmosphere.

In 1881, he went to Germany to study mechanics, but two years later, he became interested in photography and soon left mechanics for good.

Photography quickly became Stieglitz’s real intellectual preoccupation, leading him to master not only the technical aspect of the field but also its artistic aspect.

In 1887, he received the first prize at an exhibition hosted by the famous photographer Peter Henry Emerson.

Opening of the gallery

In 1905, Stieglitz opened the first gallery in the gallery complex, Gallery 291.

Gallery 291 was a mediator and meeting place and a center for leading art and artists.

Although the gallery exhibited 291 works of European art, Stieglitz paid particular attention to American art.

Stieglitz influences in the realm of photography

 Alfred Stieglitz , an American photographer, was the founder of the separatist photography movement and an outspoken advocate of photography.

During his career, this famous photographer played an important role in accepting photography as a branch of art.

Stieglitz, like most contemporary photographers, took anecdotal photographs.

Those photographs narrated the story and were inspired by popular paintings.

Photographic Times

His work was so natural and realistic that when one of his photographs was published in the Photographic Times in 1896, many readers considered it a painting.

He was an artist who, through his diligent efforts, enabled the first photographers of the twentieth century to abandon the common style of the time, which included imitating the themes and effects of painting, and to adopt a new and more specific approach to photography.

Alfred Stieglitz was instrumental in adding to the importance of visuals for the twentieth century, proving the legitimacy of the photographic claim that it is a form of art in the full sense of the word.

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