Andy Warhol

Andy Warhol

Andy Warhol

Andy Warhol was, more than anyone else, an artist of his time. An impartial observer with a dual visualization. Not a revolutionary, but someone who caused a great deal of change and influence in art. Warhol’s work requires reflection, and to critique his position; we need to understand his thought and philosophy. For this important, we will pay a little attention to his mental and philosophical tendencies. The same ones guided him in using the “pop art” tactic to challenge and critique his time.

Warhol, a pop artist who struggled to gain artistic prestige – understood the contemporary world and pushed it into a new realm. He did not initiate ideas but moved with the flow and took advantage of instantaneous stimuli. But he had a definite sense that, as a radar, helped him use society’s hidden tendencies as a means of expressing public truths and ideas that, when considered, became so evident to all people that they were surprised.

They wondered why they had not paid attention to them so far.

None of his works were unfamiliar. He did not invent anything but himself as “the first pop star: Andy Warhol.”

He was not a master or a boss to entertain his assistants with bread and work, but was “the first among equals.”

After World War II, the capitalists who encouraged and supported young and promising artists disappeared. Society bore no resemblance to the past, and the masses became simple workers without any social and social consciousness, which reflected the result of the growth of such a class in the advertising of goods and consumer behaviors towards everyone.

Warhol was not downtrodden and suffered genius. He was a professional manager who took on all media forms and did not shy away from dealing with the mundane. He was the creator of software for a kind of art that ran parallel to the social system—a conceptual artist who, in a particular period, created hardware to better expresses his imagination.

Warhol quickly reacted to the issues of the time with his art, militant. He gave a new dimension to the art world without losing its sense of independence, or at least it seemed so. But his strategy was a reason to maintain the autonomy of art; Because he exposed the hidden underpinnings of mass production in modern society, and with an in-depth analysis of the rich, alumni, and consumer classes, he made the relationship between money and consumption visible and unveiled.

Thus ended with Warhol the age of bourgeois art; Because as long as the artist’s independence is essential, stereotypes can not dominate art.

Pop art was a more or less rebellious and anti-academic art that emerged in the mid-twentieth century.

Although critics widely criticized Andy Warhol’s work during his lifetime, it became one of the most controversial art works. Currently, the largest museum dedicated to an artist globally is the Andy Warhol Museum in Pittsburgh, Pennsylvania.

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